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-- menu close home productions company contact home was formed in 1999 and since then the company have produced several productions for the brighton festival (as listed below) as well as a production for brighton and hove council’s celebrating age project. in their upcoming productions the company plans to continue their policy of making performances in non-theatrical spaces. feel free to explore the productions we have done. latest performance brighton festival fringe 2018 always with a love that’s true sequel to last year’s show ‘and love walked in’ tickets still available: book here via brighton festival fringe love is undying. death is just around the corner. listen, time’s passing. who knows what’s beyond the grave? the ageing psychotherapist, troubled and insecure, cannot trust his wife, his clients or himself in this darkly comic sequel to last year’s sell-out show. returns to the quiet house in hove in this original, entertaining, promenade production which presents, in close-up, lives trapped on a rollercoaster ride towards an inevitable end. provocative, tantalising and often mysterious, wired aims to create another lively piece in an authentic domestic location. this performance continues the company’s policy of making drama in non-theatrical spaces. apart from productions staged in a derelict basement, an art room, a café, church and local park, most performances have taken place in houses, i.e. maybemurder, get up those stairs, ah yesterday (2003/04/05) at 12 nizells avenue, hove, look now (2007), above below (2010), after money (2011) at the regency town house, gone but not forgotten (2012), come unto these yellow sands (2015) at a house in poet’s corner, all found and up for action (2014), st barnabas vicarage, hove, dancing in the dark (2016) and and love walked in (2017). dancing in the dark (2016) ‘the house is the stage and the audience can enjoy close proximity with the actors. no rigid barriers distance the audience from what is happening in the house.’ (arts award voice 2016) ***** wired is known for taking risks, but “provided you concentrate – you’ll be treated to an experience unlike any other in brighton.” brighton guru 2015 dancing in the dark (2016) ‘the house is the stage and the audience can enjoy close proximity with the actors. no rigid barriers distance the audience from what is happening in the house.’ (arts award voice 2016) ***** venue 39 colbourne road, hove. bn3 1ta dates may 5, 12, 19, 26, june 2 at 4.30pm & 7pm may 6, 7, 13, 20, 27, 28, june 3 at 2.30pm & 5pm tickets £9.50, £7.50 (concessions) 8 available at the brighton fringe box office and a few on the door www.brightonfringe.org box office: 01273 917272 not suitable for children under 15. no wheelchair access. www.facebook.com/wiredtheatre the cast gillian eddison angela ferns robin humphreys jackie thomas director sylvia vickers sound design alex white thank you to our sponsors a and s hair bird control brighton dignity pelham associates arka original funerals review of “always with a love that’s true” – (brighton fringe – 5/5/18. review by michael sabbaton ) fantastic work from, , who are playing throughout this year’s brighton fringe . their new show, always with a love that’s true , picks up the saga of womanising, alcoholic therapist, andrew, as he attempts to squirm his way back through ethically-challenging relationships and self-indulged mis-adventure. set and played in an actual house, the audience become fused with the close action as, moment by moment, each scene unfolds and tumbles into the next. from conservatory to hall, from staircase to sitting room, we inhabit this man’s sink-hole-life of love, loss and manipulation. wired weave a complex web of theatrical interaction, dancing through frames of naturalism, documentary realism, dream and the surreal. characters change course throughout from the comedic (with exquisitely timed, unfolding routines and smile inducing song and dance) to the tragic (where life and loneliness are left to unravel). folded into this structure is, ever-present, a sense of the surreal and a mature presence of self-awareness and this is where wired’s theatrical language truly resides. they keep you guessing, they make you smile, they make you comfortable then shake the rug from underneath to expose not just tragedy, not just comedy but a life complicated and complex. it’s fun, challenging and sometimes weird but we are safe in wired’s, welcoming, world – after all, we’re the guests of honour! it’s like we shouldn’t be there…but we are and without our translucent presence it just wouldn’t work. wired’s work is a constantly reflective menagerie where all the time they are watching us, watching them, watching us but always, if you pardon the pun, with a love that’s (certainly) true ! search site search for: productions (latest 10 shown) and love walked in may 7, 2017 dancing in the dark april 24, 2016 come unto these yellow sands april 24, 2015 all found and up for action april 24, 2014 art in heaven january 1, 2013 after money april 24, 2011 above below april 24, 2010 miraculous mummers’ double bill may 1, 2009 like caged birds may 1, 2008 look now may 1, 2007 achives achives select month may 2017 april 2016 april 2015 april 2014 january 2013 april 2011 april 2010 may 2009 may 2008 may 2007 july 2006 may 2006 may 2005 may 2004 may 2003 november 2001 may 1999 site home productions company contact © 2017 copyright other log in social media © 2018 . all rights reserved. hiero by athemes

URL analysis for wiredtheatre.co.uk

http://wiredtheatre.co.uk/contact
http://wiredtheatre.co.uk/art-in-heaven
http://wiredtheatre.co.uk/and-love-walked-in-brighton-festival-fringe-2017
http://wiredtheatre.co.uk/above-below
http://wiredtheatre.co.uk/all-found-and-up-for-action
http://wiredtheatre.co.uk/like-caged-birds
http://wiredtheatre.co.uk/wp-login.php
http://wiredtheatre.co.uk/#main-navigation
http://wiredtheatre.co.uk/miraculous-mummers-double-bill
http://wiredtheatre.co.uk/dancing-in-the-dark
http://wiredtheatre.co.uk/company
http://wiredtheatre.co.uk/come-unto-these-yellow-sands
http://wiredtheatre.co.uk/productions
http://wiredtheatre.co.uk/after-money
http://wiredtheatre.co.uk/look-now

Whois Information

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Domain name:
wiredtheatre.co.uk

Registrant:
Sylvia Gallagher

Registrant type:
UK Individual

Registrant's address:
4 Rigden Road
Hove
BN3 6NP
United Kingdom

Data validation:
Nominet was able to match the registrant's name and address against a 3rd party data source on 16-Sep-2015

Registrar:
1 & 1 Internet SE [Tag = 1AND1]
URL: https://www.1and1.co.uk

Relevant dates:
Registered on: 09-Aug-2004
Expiry date: 09-Aug-2018
Last updated: 08-Aug-2016

Registration status:
Registered until expiry date.

Name servers:
ns33.1and1.co.uk 217.160.80.150 2001:08d8:00fe:0053:0000:d9a0:5096:0100
ns34.1and1.co.uk 217.160.81.150 2001:08d8:00fe:0053:0000:d9a0:5196:0100

WHOIS lookup made at 16:38:44 30-Aug-2017

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  REFERRER http://www.nominet.org.uk

  REGISTRAR Nominet UK

SERVERS

  SERVER co.uk.whois-servers.net

  ARGS wiredtheatre.co.uk

  PORT 43

  TYPE domain

OWNER

  ORGANIZATION Sylvia Gallagher

TYPE
UK Individual

ADDRESS
4 Rigden Road
Hove
BN3 6NP
United Kingdom
Data validation:
Nominet was able to match the registrant's name and address against a 3rd party data source on 16-Sep-2015

DOMAIN

  SPONSOR 1 & 1 Internet SE [Tag = 1AND1]

  CREATED 2004-08-09

  CHANGED 2016-08-08

STATUS
Registered until expiry date.

NSERVER

  NS33.1AND1.CO.UK 217.160.80.150

  NS34.1AND1.CO.UK 217.160.81.150

  NAME wiredtheatre.co.uk

DISCLAIMER
This WHOIS information is provided for free by Nominet UK the central registry
for .uk domain names. This information and the .uk WHOIS are:
Copyright Nominet UK 1996 - 2017.
You may not access the .uk WHOIS or use any data from it except as permitted
by the terms of use available in full at http://www.nominet.uk/whoisterms,
which includes restrictions on: (A) use of the data for advertising, or its
repackaging, recompilation, redistribution or reuse (B) obscuring, removing
or hiding any or all of this notice and (C) exceeding query rate or volume
limits. The data is provided on an 'as-is' basis and may lag behind the
register. Access may be withdrawn or restricted at any time.

  REGISTERED yes

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